The quan-shu style is distinguished by short and polished complexes, strictness and strength of the rhythm, by high density of fist motions, swiftness of the hand motions, using such basic hand strikes as chun (direct strikes), bin (" to remove a quiver "), ho (" to penetrate through crack "), tyao ("to raise" "to prick"), that ("to prop up"), gun ("to roll"), pi ("chopping" strikes), cha ("a fork"), dyao ("seizure - hook"), go ("to encircle", "tie"), cou ("to linger over", "to press"), lou ("to cling"), fan ("to close"), so ("to lock"), gai ("to cover"), ja ("to press") and so on.
Its features are: fist motions are not aimless; if "bin" motion is not performed, then "tyao" motion is; if not "to" motion, then "pi" motion; hands perform either "dyao" or "go"; either "cou" or "lou" motions; one method can have several functions; various methods can have one function common for all; shuttle movements are performed continuously; shifting is swift, hand motions are made by high density; motions resemble shooting from an automatic gun; forms are made of sets of circular movements, upward and backward movements, rotations and turns; it seems that there is "a blade hidden" in the breast; shifting from one motion to another are graceful and natural.
Phanziquan equally develops all body functions.
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